All Things Live | AI Transformation Index

All Things Live is a structurally durable business in the sense that matters most — the physical live event experience cannot be replicated by AI — but its...

All Things LiveMedia & Entertainment (Entertainment)Waterland Private Equity

Overview

All Things Live is a Nordic live entertainment group that makes money by promoting and producing concerts, festivals, comedy shows, and corporate events — earning fees and margin on ticket sales, artist representation, and event production across ~8,400 annual events.

Executive Summary

All Things Live is a structurally durable business in the sense that matters most — the physical live event experience cannot be replicated by AI — but its role as a promoter and coordinator sits in a middle layer that AI is slowly enabling artists and venues to bypass. For a PE investor, this is a business where AI creates operational efficiency gains (marketing, pricing, scheduling) without unlocking a transformative step-change, because the binding constraints are physical and relational, not cognitive. The AI story here is incremental margin improvement, not business model transformation — and the disintermediation risk from AI-native platforms warrants ongoing monitoring as the artist-to-fan direct relationship continues to strengthen digitally.

Durability

How resilient is this business against AI disruption?

FactorValue

Market Substitutability

9

Profit Pool Migration

5

Barrier to Entry

6

Disintermediation Exposure

4

Switching Costs

5
Total58.0
×

Opportunity

How big a deal is AI for this business?

FactorValue

AI Applicability

5

Improvement Magnitude

5

Transformation Upside

4

Domain Intelligence Amplification

5
Total47.5

52.5

Ciridae AI Score

Durability Rationale

All Things Live's durability rests on one very strong foundation — the irreplaceability of live physical experience as the core customer outcome — but is meaningfully undermined by its position as a coordination intermediary between artists and venues. The physical execution of live events is categorically AI-proof, and demand for live entertainment has historically been resilient. However, the promoter role sits in a value chain that AI is actively enabling artists and venues to partially bypass: direct-to-fan ticketing, AI-assisted self-promotion, and smarter booking tools all nibble at the economic rationale for the intermediary layer. The moat is relationship-based and people-dependent, not structurally embedded through regulation, switching costs, or system-of-record control.

Opportunity Rationale

AI is a moderate but not transformative opportunity for All Things Live. The cognitive labor the company deploys — marketing, booking coordination, scheduling, financial management — is AI-applicable, but the business is fundamentally constrained by physical delivery: you can't produce more concerts than venues and artists allow, regardless of how smart your software gets. The most actionable AI value lies in marketing efficiency, ticket pricing and demand optimization, and sponsor/audience analytics — meaningful improvements to unit economics, but not the kind of order-of-magnitude cognitive labor compression seen in businesses like medical review or insurance claims processing. With a tiny engineering team and no AI initiatives on record, the unrealized step-change is real but modest in absolute terms.

Key Risks

The durability thesis could be wrong if AI-native direct-to-fan platforms (or artist management AI agents) accelerate faster than expected, allowing top artists to self-promote and self-book without a promoter, compressing the economics of the intermediary layer more severely than relationship inertia can buffer.

The opportunity thesis could be wrong if the company's ticketing and event data is too fragmented across subsidiaries and local markets to be aggregated into a meaningful AI training asset, leaving AI limited to generic productivity tools with lower-than-expected impact on booking quality and margin.

Company Overview

HeadquartersCopenhagen, Denmark
Products / Services
Concerts and Shows, Music events, Comedy shows, Festivals, Podcast production, Venue management, Artist partnerships and management, Corporate event entertainment
Deal Partners
Kaspar Kristiansen

PE / Ownership History

EventDetails
Waterland Private Equity acquired majority stakes in six leading Nordic live entertainment companies and established All Things Live as the umbrella organization.
December 12, 2018
The acquisition created a new independent market leader in Nordic live entertainment with combined annual revenue of approximately EUR 85 million and about 70 employees. [news.pollstar.com/2018/12/12/all-things-live-waterland-acquires-six-nordic-live-entertainment-companies](https://news.pollstar.com/2018/12/12/all-things-live-waterland-acquires-six-nordic-live-entertainment-companies)

Executives

NameBackground
Gry Mølleskog
Group CEO
Chairwoman of The Queen Sonja Print Award Board, Royal Court of Norway (Hoffsjef), and Global Dignity Board Member. [linkedin.com/in/gry-m%C3%B8lleskog-8a28803](https://linkedin.com/in/gry-m%C3%B8lleskog-8a28803)
Preben Riis Wildau
Group CFO
Previous experience includes roles at Nordisk Film A/S (Business Support Director for 12+ years), SBS Radio A/S (Finance Director), and independent consulting. [linkedin.com/in/preben-riis-wildau-3712151](https://linkedin.com/in/preben-riis-wildau-3712151)
Coen ter Wolbeek
Group COO
Background includes board memberships at Stichting Umoja Klimaat- en Ontwikkelingsfonds, Amsterdam Dance Event, and Buma Cultuur. [linkedin.com/in/coenterwolbeek](https://linkedin.com/in/coenterwolbeek)
Niklas Tengvall
CFO
CFO at All Things Live Sweden (1 year 8 months tenure). His background includes CFO at Jubel (1 year 8 months), Business Controller at Make Your Mark Sweden (1 year 6 months), and Head of Business Development Festivals at Live Nation & Luger Sweden (1 year 11 months). [linkedin.com/in/niklas-tengvall-1014aa15](https://linkedin.com/in/niklas-tengvall-1014aa15)
Lars Kristian Solheim
CFO
CFO at All Things Live Norway (1 year 3 months tenure), with prior roles at Norconsult Norge AS, Zwipe, and DNB.
Tanja Lindroos
CFO
CFO at All Things Live Finland (4 years 3 months tenure), previously CFO and Financial Manager at Live Nation Finland. [linkedin.com/in/tanja-kauppinen](https://linkedin.com/in/tanja-kauppinen)
Camilla Trodyb
Head of Marketing & PR at All Things Live Denmark
Previous experience includes PR and communication roles at Rust and music journalism. [linkedin.com/in/camilla-trodyb-a9b71549](https://linkedin.com/in/camilla-trodyb-a9b71549)
Agnes Olander
Marketing Project Manager at All Things Live Sweden
Background includes marketing management and project roles at various organizations in Sweden. [linkedin.com/in/agnesolander](https://linkedin.com/in/agnesolander)